Kilfenora Ceili Band - History (Courtesy of the Artist�s site, 2007)

Origins
Kilfenora boasted a fine fife and drum band founded in 1870, which later gave way to an
accomplished brass and reed band in 1910. It appears the fife & drum was regarded as a boy's pursuit. The move to the brass & reed was in order to hold onto the musicians into adulthood.

In 1908, the parish of Kilfenora was in debt. The new priest, Canon Cassidy from Moughana set to clearing the debt and refurbishing the church. At the fundraising dances he held in the schoolhouse, members of the old Brass & Reed band like John Joe Lynch, (fiddler and drummer) and Jim Mulqueeney (fiddler) were involved, though were deferential in the presence of the senior players such as fiddle master Michael Slattery.
Fr. Fabian McCormack in this following extract describes the atmospheres at those early c�il�s.
"My father and mother were teenagers then and both loved those dances. My father complained to me that Canon Cassidy was always present and very strict on any wild "wheeling" or jumping in the set; everything had to be sedate�.
The '20s core group consisted of Jim Mulqueeney, Jim McCormack, John Joe Lynch, Austin Tierney and Lynch's sister, Mrs. Brigid McGrath, on concertina. Tom Ward - (fiddle) Lil McCormack, (piano), Paddy "Pepper" Linnane, Tommy Mulqueeney, Pat Madigan (banjo, clarinet, bass), Jimmy Leyden (drums), brother and sister Paddy and Nora "Marshall" McMahon (flute and fiddle respectively) and Maureen Kelly (piano).
By the thirties, there were already a couple of radios in Kilfenora village. The first broadcast by the band was in 1932 from Athlone. The radios were taken out in the open, as the crowd of listeners was as big as when Eamon de Valera came to the village for the Clare election in 1917. There was another broadcast in June 1935 relayed from the town hall in Ennis. They were half-hour programmes and entailed lengthy rehearsal beforehand. On June 30th 1940, the Kilfenora broadcast from the Convent of Mercy, Ennis on Radio �ireann, a prize for winning the C�il� Band Competition at the Ennis Carnival.
They had a three-year standing contract to play for the c�ilithe in the Queen's Hotel, Ennis, during the winters of '35, '36 and '37. The regular lineup during the '30s was: John Joe Lynch, Jim Mulqueeney, Tom Ward, Nora McMahon (violins), Paddy McMahon, Jim McCormack (flutes), Jim Ward (piccolo), Paddy Byrt (concertina), Pat Madigan (Sax & Clarinet), Jimmy Leyden (drums).
During the '40's some of the Kilfenora stalwarts played under a different banner. The Corcomroe band was organised in 1942 by, Barry Ward from Northern Ireland, who came as an engineer to the phosphate mines in Doolin, which were opened in that year. According to Jim Ward, this Barry Ward (no relation) played the piano accordion and was "music mad but apparently didn't know much about traditional music". It was his good fortune though, to gather around him some of the finest traditional musicians in North Clare.
The Byrt family featured very much in this band. Paddy Byrt, a founder member of the Kilfenora in 1909 was a gifted musician with an unmatched knowledge of music and traditional lore, which he passed on to his sons, one of whom, John in particular was regarded as one of the foremost fiddle players of his time and according to some of his peers, he possessed more tunes than any other of his contemporaries.
As a young adult, P.J. Lynch (son of John Joe, both pictured above) liked to go off for a few days playing music with his friends and he smelled an opportunity for enjoyment when he heard of the All-Ireland fle�dh to be held in Athlone in '53. He was excited by the concept of a c�il� band competition and took part there with a hastily assembled ad-hoc band of musicians he met at the festival.
During the autumn after his return, he assembled a group of musicians from within a five-mile radius of the village. They rehearsed and started playing for c�il�s every Sunday. They enlisted the assistance of Molly Conole, daughter of Michael Slattery, the 1909 founder, as coach. They duly travelled to the '54 fle�dh in Cavan and a vigorous performance brought them victory.
The Kilfenora obviously had devised a winning formula. Much to the delight of their supporters, they triumphed at the next two fle�dhanna, completing the celebrated three-in-a row on home ground in Ennis in '56, The lineup that year was: Gerry Lynch, Kitty Linnane, Frank O'Mahony, PJ Lynch, Gerald O Loughlin, Shamus McCormack, Gus Tierney, Noreen Lynch, Jim Ward and Ita Mulqueeney.

The 1958 album The Kilfenora C�il� Band was the only commercial recording by most of that line-up. After that, there were substantial changes in personnel and it was a very different band that won at the fle�dh in Swinford in 1961. .
P.J. Lynch stepped aside and the steady hand of Kitty Linnane steered them through the next three and a half decades. The band was extremely busy on the c�il� circuit. They played every county in the Republic. They went on a series of trips to Britain during Lent when demand was quiet at home. It is surprising that caution prevailed in preventing them from accepting the numerous invitations to the U.S.
From the mid-'70s onwards, their work as a full-blown c�il� band was greatly diminished. During the early '70s, the band did produce two more albums, Clare C�il� (E.M.I.) and The Kilfenora C�il� Band (Transatlantic). By the '80s, their activities were limited to special occasions of nostalgia. The fact was that set dancing was at that time becoming pub-based and c�il� bands weren't getting many bookings till the resurgence of the '90s.
The band members who appeared on the Clare C�il� album were: Kitty Linnane, Paddy (Organ) Mullins, Tommy Peoples, Gus Tierney, Jim Ward, Michael Sexton, Jimmy Leyden and singer P.J. Murrihy.
During the '70s and '80s, the aforementioned fiddler Gus Tierney was passing the music on to the next generation during his classes all over North Clare. Many of his pupils went on to turn professional and several formed the basis of the present Kilfenora band.
With Kitty in failing health, John Lynch, son of P.J. stepped into the breech in '91. He assembled a young lineup to carry the torch. The group (with the help of mentors Phil McMahon and Gerry Lynch) achieved three titles in a row from '93 to '95, forty years after the original achievement.
The band in the past decade has been commercially very active. This is the third album by the current personnel (sixth in all by the Kilfenora). They gig the length and breadth of Ireland and travel regularly to Britain, Europe and the United States. Their performances are no longer confined to playing for c�il� dancers and they regularly entertain at the larger U.S. festivals for audiences of thousands.
Lynch has been very careful to preserve authenticity by keeping innovation to a discreet minimum and staying true to traditional instrumentation and repertoire. To date, the band has continued in the style of its predecessors.